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All The Weeping Cameras

by The Jack McCoys

/
1.
See me in the scorpion squat In every shoe you left unwatched and unguarded And blood flies in and out of that sack That thumps and patters And nothing grows where venom is spilled, smeared or splattered See me stuck in the ball of your foot Pulled for miles along the path you plotted And sadness burns the valves of that sack That thuds and gurgles And lips are split when venom is sealed In long, soft kisses Where will you take us That the pain isn’t greater Than the distance we’ll go? Knowing then that Each footprint is just A record of pressure you left on the way But you waited around For the pen to be pressed to the notebook paper And if I don’t sink in sentences and paragraphs, We will blow our cover So we wind around the broken necks Of every love that bent too far to bear the weight That hammers that sack with hope and worry And leaves bruises and cave-ins along the aching muscle So we smile in pictures And blur at the slightest twitch But it’s the motion that follows us form roll to roll A catalog of streaks and smears In color and in black and white
2.
A Star Is 05:32
The date is planted in flesh With tendrils fanning out along The bones that hold my ghost in place When it squirms and tries to shake me off And I will sink into your wedding With that secret cargo I’ll keep it still, sedated For a few more hours A few more drags closer to the filter The scraping of love against toasts and tuxedos The squinting through salt The flicker and flash of cameras When they sentence you To photo albums and picture frames On desks and dressers where Your height and your width are wrestled From your other dimensions, The ones you wished came out in perfect rectangles They haunt the corners of your wobbly smile The words escape the language They’re just little noises to me now Buzzes and clicks you send me Amplified in my dark and dusty skull And the ghost in my chest Trembling in the reverb I’ll keep it starved, suspended For a few more minutes A few more slugs closer to the sickness The slow surrender of movement by degrees The flapping of nerves The dark gland of doubt That squirts the slime trail out And leads you to me To every word that ran screaming From those abstract descriptions Of the unbearable moment That still seems as far-off and bright As a star is
3.
You are full of windows Fogging up with my breath Sitting there in your make-up With your sweetness fizzing Giving off a little steam I’m a photographer who Climbed in through the aperture And waited five years to really see you Through every stiff and phony smile This half-written letter That started off with your name And ended in a sudden fit of silence Needs a word to name the thing That makes our tongues itch And our hearts sweat Every minute of these long phone calls That inch like ice floes Over miles of open sea I wrench the word free I say it to you
4.
Photography 06:10
In a photograph, the blues are mellow whorls Caught in your lids and lashes All the whites and grays that settle on you Settle on me in this room Where the light was orange and dim And the wasted time it took To catch you in mid-smile Is the whole history of photography And the ducks move across the water In twos and threes While picnics come and go in the dirt The browns around your shoulders Drizzle down your arms Over your corduroy into The path my eyeballs make across your body Here in this room where the only body is mine And the afternoon it took to frame and focus Is the whole meaning of what you mean to me And the ducks cruise across the moment In perfect v’s While hearts flex and throb under our shirts And cameras click and paralyze Whatever fraction of a second suits us Don’t hold your history in And leave me stranded here
5.
All the weeping cameras Are weeping pictures of How it used to be Poses like rows of carrion Filling up the frames now And love like static from a radio All the lazy afternoons Projected upside down Squirming on the negative Signals whip through tube and tremolo And flutter around the story Of all our saddest images But don’t you worry now, baby Talk about fossils and artifacts Our smiles squished into the clay Though everything that passes through your lens Is reflected away And burned into the irises of every eye That watched us drift From photograph to photograph With our lips pulled back And our teeth hanging out And our happiness at every angle Twitching there
6.
Amelia 02:45
Lacking time and place You’re at the end of one million wires Amelia, Amelia In the photograph that came to kill me Lips burn holes in time You’re at the end of one million wires Amelia, Amelia I know you well The photograph that came to kill me The stare that slithered up and down your neck When the day caved in and my mouth dried up And weirdness sails these circuits Teeth deep in the tender spot Thrashing
7.
They were snoring in the half-light Every tentacle intertwined The radiator wheezing The orbit of the moon Slicing through the twitching starlight Night pouring in through every window Unseen They were worming through a sad and greasy breakfast Did you see the way he watches her eat? Dogs weaving in and out Of the cars as they zip by The camera’s crying eye They were washed up with the seaweed Like starfish or sand dollars By some tidal wave The sunshine crackling on them The salt still drying Rays gush across the driftwood In a dream They were zigzagging on soft patches of wet sand Through every jag that snarled and slashed Light screaming through the hole The message is in code The language is on fire

about

Recorded and mixed by Jack at Basement 247. Masted by Nick at New Alliance East.

credits

released February 13, 2002

Christian Cundari—Guitars
Dan Madri—Guitars, Vocals
Phillip Ouellette—Drums
Tyler Pollard—Bass
Matt Savage—Vocals

With:
Shelly Blake—Banjo on track 5
Ben Jaffe—Saxophone on tracks 1 & 6
Heidi Ober—Vocals on track 7

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Matt Savage Cambridge, Massachusetts

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